The Hosa MPA-149 utilizes a discrete Class-A circuit design and selected FET circuitry to help achieve a clean signal path and low-noise operation. The Hosa MPA-149 only needs a preamp supplying 48V phantom power but does not pass the phantom power onto the microphone. This convenient solution makes it ideal for podcasters, streamers, public speakers, and gigging professionals relying on unpredictable venue preamps to power low-output ribbon or dynamic mics. Many volume-boost solutions include more cables, electronics, and failure points, whereas the HosaMPA-149 simply connects directly into the microphone. The Hosa MPA-149 Mic Preamp provides an immediate 26dB’s of gain with an impressive -97dBu signal-to-noise ratio, giving users a very clean and immediate gain boost for louder, clearer microphone performance. Consoles, mixing boards, interfaces, and other preamps can sometimes require the gain to be maxed out, amplifying unwanted noise and often still being too quiet in overall volume. When using low-output dynamic or passive ribbon microphones, a consistent struggle is the introduction of noise from external preamps. If that’s what the Bastards’ bow was aimed The album’s outro, “Down in theĬanyon,” is finely placed, culminating in aĪrrow is a stylistically sound and heartfelt Like “Only for You”-it’s as if the guitar itself Guitar parts ooze and groove deeply on songs Solos, and impeccably fuzzed-out electric Her confessions are punctuatedĪnd juxtaposed with acoustic layers, Skynyrd inspired The stories behind bittersweet realizations Wennerstrom in moments of reckoning, considering Low, Low.” Throughout the album, I picture Over the lingering strum and hum of “Low, Melodies of “The Arrow Killed the Beast,” and The songs, through the razor-sharp, alt-twang Her drawl floats effortlessly in and out of Wennerstrom’s powerhouse voice-she’s a definite The second track andįirst single, “Parted Ways,” hits you aroundĪ 30-second solo that could pass as a MikeĪnd then he stomps out the entire last minute While, perhaps being contemplated in an isolated The songsįeel as though they’ve been marinating for a With dirty blues-rock riffs in a way that’sĭistinctive and starkly wholesome. Wennerstrom’s hauntingly gruff voice dancing Guitarist Mark Nathan, bassist Jesse Ebaugh, Arrow isĪ debut of sorts for the latest lineup-second ![]() Patrick Carney discovered them in an empty The Heartless Bastards through a few differentīut the story goes that Black Keys drummer ![]() Singer/guitarist Erika Wennerstrom has taken
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